Shoot It Right: Filming Footage for Frame-Perfect Analysis
– · 6 min read
Before you hit record
Most of the footage that's hard to analyze isn't hard because of the sport — it's hard because of how it was shot. Get these basics right and everything downstream gets easier.
Shoot landscape, always
Turn the phone or tablet sideways before you start. Portrait video gets cropped or letterboxed everywhere it matters, and pose tracking needs the full width of the action, not a narrow vertical sliver of it.
Lock the camera down
Handheld footage drifts, and drift shows up as noise in every joint-angle measurement. A tripod is ideal, but a fence mount, a stack of bags, or just bracing your elbows against something solid all beat a free hand.
Light the subject, not the background
Outdoor daylight is usually fine. If you're indoors, position the camera so the athlete isn't backlit by a window or a bright wall — pose tracking struggles with silhouettes far more than with dim-but-even lighting.
Get the angle right
Where you put the camera depends on what you actually want to see afterward. Think about the one thing you're trying to break down, and frame for that.
Keep the whole body in frame
Head to feet, for the entire action — not just for the moment of contact. Pose tracking needs a clean, unobstructed view of the joints you care about for every frame you want analyzed, not just the highlight moment.
Side-on for technique, elevated for context
A side-on angle, roughly level with the athlete, gives the cleanest read on joint angles and body position. A higher, pulled-back angle — a balcony, a raised platform, a camera on a tall mount — is better when you need the full field, court, or lane in view along with the athlete.
Get close enough that detail survives compression
Every extra step back is fewer pixels on the athlete once the video's compressed for upload. Fill as much of the frame as you can while still keeping the full range of motion in view.
If you're chasing technical detail
For a specific technique breakdown rather than a full session, a couple of extra minutes of setup goes a long way.
Use slow motion if your device has it
Most phones can shoot 120fps or higher. For anything fast — a swing, a jump, a release, a change of direction — slow motion gives frame-by-frame scrubbing something to actually work with, instead of the action happening between frames.
Shoot the same action from two angles if you can
One side-on pass for joint angles, one from behind or in front for balance and alignment. You don't need to do this for every clip, but for a technique you're actively trying to fix, it's worth the extra take.
Respect the people in frame
This matters whether you're filming a solo drill or a full match.
Get consent before you film other people
If teammates, opponents, or anyone else identifiable will be in the footage, ask first — and get a parent or guardian's OK if they're under 18. This is both common courtesy and, in a lot of places, a real legal requirement.
Keep bystanders out of the shot
Frame tight enough to avoid catching other people's games, practices, or just people walking by who never agreed to be on camera.
Getting it into The Play Analyzer
Skip the file-sharing back-and-forth — footage goes straight from your camera roll into the dashboard.
Upload directly, no middleman
Drop the clip straight into your dashboard and it opens right into the analysis workspace — no uploading to a drive folder, no sharing permissions to fumble, no separate email.
Don't worry about trimming it yourself
Starter clips are capped at 2 minutes and Coach at 5 (Academy has no cap) — upload something longer and it's automatically trimmed to fit rather than rejected, so you don't need to cut it down beforehand.
Record your breakdown and send a link back
Once you've reviewed the footage, record your own narrated walkthrough right in the workspace and share it with a short link — no file to attach, no size limit to worry about on their end.
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